Sci-Fi Visionary: Piotr Szulkin Celebrates Certainly One Of Poland’s Most Revolutionary Filmmakers

“An Eastern European Ridley Scott… the commentary that is cultural of oeuvre is universalist… his future is our now.” – Ela Bittencourt

“The Polish ‘cinema of anxiety’ soars from this globe into the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal

Movie at Lincoln Center is happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many filmmakers that are revolutionary September 6-8.

A director, screenwriter, novelist, theatrical manager, and painter, Piotr Szulkin frequently encountered censorship through the Polish Communist regime of this belated ’70s and early ’80s for their unabashedly governmental works. Szulkin’s films that are profoundly imaginative be looked at as existential stories, absurdist parables, or premonitions about contemporary society’s hostility in addition to evils of totalitarianism. Drawing from 20th-century philosophy and Polish literature that is medieval speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to generate shockingly iconoclastic science fiction movies. Referred to as “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies that have been hardly ever seen outside of their indigenous Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the present global governmental environment.

One of the biggest retrospectives of their strive up to now, Sci-Fi Visionary: Piotr Szulkin provides an array of brand brand new electronic restorations and brought in movie images. The show showcases most of Szulkin’s features, including their audacious cult classic Golem , usually considered a precursor to Blade Runner ; The War of this Worlds: Next Century, a reimagining of this H.G. Wells novel and an indictment of mass media’s impact on civilians; O-Bi, O-Ba: the finish of Civilization , which follows the residual survivors of a nuclear apocalypse from their dire situation; Szulkin’s exploration of female sexuality in the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship as he is sent on a mission to a police state hell planet; and Szulkin’s final film, King Ubu , based on the 19th-century Albert Jarry play, a brutal commentary on contemporary Poland in the aftermath of the Communism Szulkin criticized throughout his career as they wait for a mythical Ark to save them. Also, the retrospective will emphasize Szulkin’s quick movie work, such as the folklore-inspired morality play Dziewce z ciortem and also the documentary Working Women .

Presented in collaboration with all the Polish Cultural Institute nyc.

Arranged by Florence Almozini and Tyler Wilson.

Tickets carry on sale Thursday, August 15 and tend to be $15; $12 for pupils, seniors (62+), and individuals with disabilities; and ten dollars for Film at Lincoln Center users. Save with all the purchase of three seats or higher.

Acknowledgments: Polish Cultural Institute Ny; Daniel Bird

FILMS & DESCRIPTIONS All tests occur during the Walter Reade Theater (165 western Street that is 65th otherwise noted.

Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a long company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey searching for sexual satisfaction, leading her into increasingly deranged, sinister realms as memories from her childhood mingle with fever-dream seductions. Equal components coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of the lusty Joseph Stalin to a couple of shockingly randy puppets—as it savages faith, their state, together with concept of the family that is nuclear.

Preceded by: brand brand New electronic renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this very early documentary miniature from Szulkin illustrates six sequences of solitary, repetitious work. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm

Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic satire that is dystopian. In the next where life in the world has grown to become therefore wonderful that only prisoners can be used for the dangerous company of area research, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is delivered on an apparently doomed objective to an uncharted earth. Upon their arrival, he discovers some sort of curiously such as a dilapidated, postapocalyptic world, where he could be welcomed because of the population as a “hero,” an ignominious honor, he quickly learns, that accompany a most fate that is barbaric. Using the film’s title that is appropriately nonsensical the babble of their infant daughter, Szulkin provides a bleakly acerbic commentary on the absurdity of life in an authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm

brand brand New restoration that is digital Poland, 1980, 92m Polish with English subtitles in a few dystopian future, researchers try to create a fresh, pliable competition of people. a seemingly ordinary item for the work, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring while he goes about their life amidst drab Soviet bloc architecture. Szulkin’s feature that is bold, styled in sepia tones and dramatic illumination, is known as a precursor to Blade Runner , but its name additionally appears back once again to a far more ancient misconception of creation and morality.

Preceded by: brand New restoration that is digital Gal plus the Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play of a sinful woman’s encounter aided by the devil, set into the Polish ballad of the identical name and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm

New restoration that is digital Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere predicated on Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s last movie is definitely a crazy, carnivalesque commentary on post-Communist Poland by which drunken degenerate Ubu (Jan Peszek) seizes control over the monarchy in a supposedly “democratic” takeover (their signature policy: universal free beer) simply to institute their own absurdist, tragicomic reign of terror. Upgrading Jarry’s iconoclastic eyesight with a brand new dosage of dark, post-Soviet cynicism, King Ubu is an incendiary summative statement from an musician whom devoted their profession to lobbing grenades during the equipment of totalitarian corruption that is political. Sunday, September 8, 6:00pm

Brand brand New restoration that is digital, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is restricted up to a squalid underground bunker where survivors toil desperately to uphold the final vestiges of civilization. These are generally spurred in by their fervent belief in a fabled Ark that may deliver them from their residing hell—a misconception propagated by the powers that be, and distribute, to some extent, by the increasingly disillusioned smooth (Jerzy Stuhr) as he tries to prevent collapse that is total. Involved in an expressionistically grimy, grey- and palette that is blue-toned Szulkin crafts a shattering existential parable concerning the false claims of politics and faith that plays away such as a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm

Brand New electronic renovation The War associated with the Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles aimed at both H. G. Wells and Orson Welles, Szulkin’s followup to Golem starts utilizing the Christmastime takeover of Poland by a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) https://asiandates.org who enlist hapless tv newscaster Iron Idem (Roman Wilhelmi) since the vocals of the 1984 -esque propaganda device. But once Iron dares to stop message, he makes an enemy even higher than the aliens: the continuing state it self. Released in the same way Poland was being plunged into martial legislation and instantly prohibited, The War regarding the Worlds: Next Century is a disturbingly prescient allegory of energy, control, and news manipulation in a world that is post-truth. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm